Wednesday, January 28, 2009

John Updike (1932-2009)

Author John Updike died a couple of days ago at age 76. Here is his "Seven Stanzas at Easter" which I recently read on the Between Two Worlds blog.
Make no mistake: if He rose at all
it was as His body;
if the cells’ dissolution did not reverse, the molecules
reknit, the amino acids rekindle,
the Church will fall.

It was not as the flowers,
each soft Spring recurrent;
it was not as His Spirit in the mouths and fuddled
eyes of the eleven apostles;
it was as His Flesh: ours.

The same hinged thumbs and toes,
the same valved heart
that—pierced—died, withered, paused, and then
regathered out of enduring Might
new strength to enclose.

Let us not mock God with metaphor,
analogy, sidestepping transcendence;
making of the event a parable, a sign painted in the
faded credulity of earlier ages:
let us walk through the door.

The stone is rolled back, not papier-mache,
not a stone in a story,
but the vast rock of materiality that in the slow
grinding of time will eclipse for each of us
the wide light of day.

And if we will have an angel at the tomb,
make it a real angel,
weighty with Max Planck’s quanta, vivid with hair,
opaque in the dawn light, robed in real linen
spun on a definite loom.

Let us not seek to make it less monstrous,
for our own convenience, our own sense of beauty,
lest, awakened in one unthinkable hour, we are
embarrassed by the miracle,
and crushed by remonstrance.

For more on Updike read Russel D. Moore's article entitled John Updike is Dead, which reflects on Updike's life and the deep spiritual craving that flowed from his pen into his poems and stories.

I'd like to read more of this man's work.

Tuesday, January 20, 2009

Help My Unbelief, Part 2

In my last post I was talking about how Jesus places a huge emphasis on our belief in Him and acknowledging the struggle to surrender myself over to Christ’s perfect will, His wisdom and His faithfulness for my life.

As I’ve been wrestling with the issue of trust I find myself identifying more and more with the father in Mark chapter 9 who said, “I do believe; help me overcome my unbelief!"

My heart struggles to believe the promises of Christ and my guess it’s a struggle for all of us.

“Help My Unbelief” is a song that has helped me to put into words what’s true of my heart and has served as a helpful prayer that I can come back to throughout my day. I’ve posted the lyrics below because I think the song can be an encouragement to all of us. You can meditate on the lyrics in your quiet time and download the song from iTunes. Allow the lyrics and melody to take root in our heart as you ask for God’s grace to help us believe more and more in His faithfulness.

Help My Unbelief
Words: John Newton (1725-1807), Music: Clint Wells (2005)
Taken from the Gadsby Hymnal #278
Recording by Red Mountain Church
From the album “Help My Unbelief”

I know the Lord is nigh,
and would but cannot pray,
for Satan meets me when I try
and frights my soul away.
And frights my soul away.

I would but can't repent,

though I endeavor oft;
This stony heart can ne'er relent
till Jesus makes it soft.
Till Jesus makes it soft.

Help my unbelief.
Help my unbelief.
Help my unbelief.
My help must come from Thee.

I would but cannot love,
though wooed by love divine;
No arguments have pow'r to move
a soul as base as mine.
A soul as base as mine.

I would but cannot rest
in God's most holy will;
I know what he appoints is best
and murmur at it still.
I murmur at it still.

Help my unbelief.
Help my unbelief.
Help my unbelief.
My help must come from Thee.

(A quick side note: The Crossing has created a couple of iMixes on iTunes that includes the original recordings of the songs that we sing on Sunday morning. These songs help us to meditate on scriptural truth about God and in singing them, help us to go deeper in our affections for him. You'll find the links to the iMixes below.)

The Crossing: Songs for Worship (A-I)

The Crossing: Songs for Worship (J-Z)

Friday, January 16, 2009

Help My Unbelief, Part 1

Last year I was spent a lot of time studying the first four books of the New Testament and in my study I was really struck by how much the promises of gospel are linked to our belief Christ.

John 6:35 - "I am the bread of life. He who comes to me will never go hungry, and he who believes in me will never be thirsty.

John 6:40 “For my Father's will is that everyone who looks to the Son and believes in him shall have eternal life, and I will raise him up at the last day."

Mark 11:24 - Therefore I tell you, whatever you ask for in prayer, believe that you have received it, and it will be yours."

John 1:12 - "Yet to all who received him, to those who believed in his name, he gave the right to become children of God..."

John 3:16 & 18 - "For God so loved the world that he gave his one and only Son, that whoever believes in him shall not perish but have eternal life... Whoever believes in him is not condemned, but whoever does not believe stands condemned already because he has not believed in the name of God's one and only Son."

Jesus places a huge emphasis on our trust, our faith and our belief in Him.

So, I’ve been taking more and more time to think and pray about how much I really do believe in Christ for all things. Am I trusting in Christ’s perfect will, His wisdom and His faithfulness for my life or am I believing in my own ability (or should I say inability) to make life work out the way that I think it should?

That's the struggle of sin, isn't it?

Thursday, January 8, 2009

Katie Smith on Music and Faith

Here are some excerpts from an interview Andy Patton conducted with Katie Smith, a pianist in the music school at Mizzou, for the "Art Every Wednesday" segment of the Veritas blog. Katie shares her thoughts on art, piano, and the interaction of faith and music in a way that compels me to invest more time growing, not only in the practice of my musical skill, but also how I approach music through deep thought and deep feeling.

Andy: What is one time that you’ve had an experience with art t hat has done that to you? That has reached you at a deep level, and what about the art did that?

Katie: There are many times when I will be at a concert and be moved. I was in Atlanta and saw Emanuel Ax play. He played Beethoven's 3rd piano concerto. It was so beautiful. The playing was excellent. Some pianists play as if they attack the piano, as if the piano is something to be mastered. He didn’t pay like that. He played as if he and the piano were old friends and that reached me as a fellow pianist. The second movement is traditionally a slower, more emotional movement, and it was the combination of that and the greatness o f his ability... I was touched by the depth of emotion both in the music itself and in his ability to bring that out.


A: How do your faith and your piano playing interact. How are you a different pianist for being a Christian?

K: Ideally as a Christian pianist I would take time to rest like I should, and my identity as a pianist would not be found in the way I play. It would be found in the fact that when I play it is glorifying to god.

A: Why is it glorifying?

K: Because he ultimately gave us music and created it. Instrumental music declares truth. It can declare the goodness and beauty of creation and of God himself, or it can declare the fallenness of us as humans... If we view God as the creator, then we are mini-creators and he has given us gifts to make something beautiful to reflect him.

A: Has your playing piano made you trust the gospel more?

K: Being a musician and studying music in a college environment certainly has. It has made me more aware of what rest is supposed to be. There is a fine line between work and overwork and I cross it all the time. There is a drive in the art world toward perfectionism, and it feels like if you are not working towards perfectionism then you are not working hard enough. Granted, we should always strive for excellence, but we are people. We need to rest. I need to get better at taking intentional rest.

A: That is an ironic thing, because theoretically the music school is creating beauty and music students should be interacting
with that more than anyone else. Yet through the drive to perfectionism they face the danger of missing out on it.



A: Think about the relationship between pain and good art. You hear in the art world that one requires the other, that you need pain and despair to make good art. What are your thoughts about that?

K: I think that in the Christian meta-narrative there is a struggle between good and evil and there is this pain that results, and good art reflects that in some way. It either captures the beauty of what is to come after the struggle is over, or what was before the struggle, or the beauty of the deep pain that we are in right now.

A: So you think that is art’s place - to capture that beauty?

K: Yes.


A: I love that as a way to look at what is happening every time you sit down at the piano.




A: Is art a powerful thing, if so, what is it’s power?

K: Art takes us out of the everyday, and yet relates to the everyday. That in itself is a very powerful thing. It take you out of the situation you are in and allows you to relate to that situation in a completely different way, and then you go back in to that situation and you are completely different.


A: Those are all my questions. Anything else you want to say?

K: One thing I want to say is that I feel that artists have largely excluded the rest of the population. That is something that as an artist I want to redeem. You sometimes see, for example, funding getting cut for arts programs in schools, I think that is the result of artists putting a privieleged box around art. It is saying, "only
these people can understand it and you have to be born with this ability in the first place." That is crap. Art is an ability that can be developed just as much as sports abilities are. Inherent ability and talent isn’t everything. I'm no mathematician, but I can study math and become better, art and music are no different.

Friday, January 2, 2009

There Blows a Cold Wind

There blows a cold wind today, today,
   The wind blows cold today;
Christ suffered his passion for man's salvation,
   to keep the cold wind away.

(Middle English Lyric, anonymous)